Saturday, February 28, 2015

Discover How To Take Sharp, Clear and Wide Landscapes With A Regular Lens

Have you ever questioned what is so special about photographing in 24mm? Or, have you ever thought about what focal length is good for landscapes is but in no way been completely sure what it is? The truth is that there are many angles you can quite easily shoot at. Each time you change focal length in or out, you will be affecting the overall look and sense of your photo. Let's look more intimately at the 24mm approach. Why is it so good?

There are many benefits of photographing at 24mm. I use a beautiful Canon L series lens at 24mm for landscapes. The best 24mm lens is one that will be likely to continually supply you with an adequate range or width. Any Canon 24mm lens (or Nikon 24mm lens) has the ability to get rid of the dreaded "warp" that comes with subjects photographed too close with the ultra wide lenses. If you are unfamiliar with what this means, simply head to the Internet and search for a few wide angle pictures of tall structures taken up close with lenses less than 17mm. In some landscape photography situations it can work well, and in others it does not. Now and then, when you taking photos at an ultra wide position, the landscape you are shooting can look like it's bulging in the middle. If this happens, then why not try photographing at 24mm?

When photographing landscape photography we want to aim for "large", but not "bending" in the center, as some ultra wide angle lenses can produce. This is where the wonderful 24mm focal length comes in. It generates a wide scene without appearing unnatural or bulges at the heart of the photo. Not only is it a good overall length to take photos at, but you can photograph at 24mm to create panoramas. What I mean is 24mm makes for a beautiful single photo AND it can be a perfect shooting length to stitch numerous single photos collectively to capture a panorama.

You see if you took a handful of photos photographed at 17mm or less, and stitched them as one, you may certainly see an uncomfortable bulge. This is what happens when ultra wide shots are stitched to make an individual panorama. Unless you are trying to generate a fisheye effect it will not work suitably. When shooting with 24mm this awful effect does not happen. We are left with a wide angle good enough for a single photo and just right to create a series of pictures for a panorama.

To get a better idea of the quality of the average 24mm wide angle lens, ask yourself does the photo have a sensible perspective? For example, do you notice any unnatural warping or bulging in the horizon line or along the forefront? No, we can't. That is more often than not a sign that the 24mm focal length is just right for the purpose.

Is this 24mm lens generally "wide enough"? Yes it is. And the beauty about this focal length is that we can bring three single images at 24mm and generate a gorgeous panoramic scene. Some lenses that are ultra wide, such as the 17mm or less, can bulge a composite a lot.

You can photograph a succession of photos taken from the same perspective and using a tripod to ensure good results. Then use Panorama Maker Pro 6 photo editing software to merge or stitch the images together into a single frame. You will discover that 24mm is most ideal because it does not bulge the panorama in the middle as a 17mm series of photos would.

Once you stitch your 24mm photo sequence together then look to see if the image is effective because of the additional surroundings at the edges. The answer is going to be relative because it has to do more with personal fondness and the intention of the photographer.

Once you have stitched a handful of 24mm photos together to construct a sole panorama, sit back, and take a good look at it. You will find that it looks like a realistic scene.

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